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Intimate Subjects by Simeon Koole
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Intimate Subjects

Touch and Tangibility in Britain's Cerebral Age

$10.49

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Length 10 hours 56 minutes
Language English
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The queer recluse, the shambling farmer, the clannish hill folk—white rural populations have long disturbed the American imagination, alternately revered as moral, healthy, and hardworking, and feared as antisocial or socially uncouth. In Peculiar Places, Ryan Lee Cartwright examines the deep archive of these contrary formations, mapping racialized queer and disability histories of white social nonconformity across the rural twentieth-century United States.



Sensationalized accounts of white rural communities’ aberrant sexualities, racial intermingling, gender transgressions, and anomalous bodies and minds, which proliferated from the turn of the century, created a national view of the perversity of white rural poverty for the American public. Cartwright contends that these accounts, extracted and estranged from their own ambivalent forum of community gossip, must be read in kind: through a racialized, materialist queercrip optic of the deeply familiar and mundane. Taking in popular science, documentary photography, news media, documentaries, and horror films, Peculiar Places orients itself at the intersections of disability studies, queer studies, and gender studies to illuminate a racialized landscape both profoundly ordinary and familiar.

Simeon Koole is a lecturer in liberal arts and history at the University of Bristol.

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Reviews

“A wonderfully vivid, searching account of how touch became the way to conceive of body and mind. Through brilliantly told case studies and theoretical insights, Koole offers his readers a landmark in the history of the body and the senses.”
— Deborah Cohen, Northwestern University

“In this sophisticated cultural history, Koole guides us through the crowded, anonymous city to reveal new worlds of human proximity. In packed tube trains people learn how to maintain their personal space; in bustling tea shops, both sexual intimacy and sexual assault are sparked; in anthropogenic fog, familiar cityscapes become queer and mysterious. How, Koole asks with D. H. Lawrence, should we be tender, in this bruising life?”
— Peter Mandler, Cambridge University

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