Reading Women Award 2018

“This memoir is unlike anything I've ever read, yet I fear that there are others who were raised in circumstances like Tara Westover. Westover documents her childhood devoid of education beyond the family's radical, extreme, doomsday religion with chilling detail as if investigating herself as a case study will help explain how she escaped. Highly recommend.”

“Maggie O'Farrell's memoir left me breathless and heart-sore. There were times I literally had a fist to my own heart in sympathy. The encounters told according to each limb or organ is a genius device; it is as though each distinct part of her body had its own voice and wanted my sole attention. Even the spaces of years between each event were full of meaning and nuance. This is one of the most mesmerizing memoirs I have ever read. The breadth and scope of Maggie's 17 brushes with death left me gasping for air, and her strong voice is indelible: There is no victim here, and life is to be treasured but not treated too delicately.”

“Nicole Chung’s clear and introspective memoir brings new light to the search for identity and navigating both the past and the future when surrounded by the complexity of those who love you. As a transracial adoptee, the incongruity of growing up happy yet uncomfortably different leads her to search out the truth about her birth parents when she is on the brink of becoming a parent herself. This unique, difficult, and often surprising journey considers what one needs most in the world to belong.”

“Mirza evokes with equal skill and nuance the first- and second-generation immigrant experience and the universal themes of family unity and discord. In A Place for Us, she captures the complicated dynamics of one family’s relationships with each other with astonishing insight. I found it tremendously moving in a way that only the most authentic stories and voices can be. The last 70 pages buckled my knees. How can a story about characters so outside my own life experience be so hauntingly familiar?  ”

“Set in the time of North Korea's invasion of the south, Haemi Lee, a 16-year-old girl is forced to be the pillar of support for her mother and brother. The one thing she finds happiness in is her friendship with Kyunghwan. This novel captures the essence of how seemingly simple decisions can mold the trajectory of not only our existence, but the generations after us. This novel is not only epic in scope, but relentless in its grip on your heart.”

“Fruit of the Drunken Tree made me cry at the airport. I was impressed by the small kingdom of women Contreras builds, with violence always threatening to creep in, all seen through the eyes of Chula, the youngest daughter. Contreras made her perspective believably cloistered while masterfully writing all the people around Chula in ways that made them feel real. Also masterful was the way Contreras used Petrona’s narrative throughout and the restraint she showed in dipping into her thoughts; she always left me wanting more. What Contreras chooses not to write has as big an effect as what she does. This novel is a dynamic exploration of what is known and, sometimes willfully, what is left unknown.”