Reading Women Award 2018

“I loved this book! Tara Westover's memoir is the kind that sounds like it should be a novel—and this book reads like one in the best way—and I think I found myself gasping and covering my mouth about once per chapter. Westover describes her upbringing in a fundamentalist Mormon, survivalist, anti-government, anti-medicine family, enduring neglect and abuse and never attending school, in a way that still somehow manages to make her family members seem sympathetic despite their actions. She is honest about her early beliefs and conflicts and addresses her own lapses in memory throughout the book, and when she finally leaves home to go to college and beyond, you can't help but cheer for her. Julia Whelan does a fantastic job narrating the book, as well, giving each character a distinct personality, but in a way that isn't distracting to the story being told. Her voice is alternately innocent and chilling and gives an added depth to a fascinating story.”

“Maggie O'Farrell's memoir left me breathless and heart-sore. There were times I literally had a fist to my own heart in sympathy. The encounters told according to each limb or organ is a genius device; it is as though each distinct part of her body had its own voice and wanted my sole attention. Even the spaces of years between each event were full of meaning and nuance. This is one of the most mesmerizing memoirs I have ever read. The breadth and scope of Maggie's 17 brushes with death left me gasping for air, and her strong voice is indelible: There is no victim here, and life is to be treasured but not treated too delicately.”

“Nicole Chung’s memoir is a moving account of a young woman’s gradually evolving understanding of family and of herself as she uncovers the truth about the circumstances behind her adoption. Refusing the false dichotomy of adoption as inherently positive or negative, she reminds us that adoption is a fact and that it’s always complicated. This is an extraordinary account, told with candor and empathy. Though the transracial adoption of Asian Americans into white families and communities is common, few books have been written from the perspective of the adoptee. Chung has much to teach us, and readers approaching this book with a heart as open as hers will find much to nourish them here.”

“Mirza evokes with equal skill and nuance the first- and second-generation immigrant experience and the universal themes of family unity and discord. In A Place for Us, she captures the complicated dynamics of one family’s relationships with each other with astonishing insight. I found it tremendously moving in a way that only the most authentic stories and voices can be. The last 70 pages buckled my knees. How can a story about characters so outside my own life experience be so hauntingly familiar?  ”

“Set in the time of North Korea's invasion of the south, Haemi Lee, a 16-year-old girl is forced to be the pillar of support for her mother and brother. The one thing she finds happiness in is her friendship with Kyunghwan. This novel captures the essence of how seemingly simple decisions can mold the trajectory of not only our existence, but the generations after us. This novel is not only epic in scope, but relentless in its grip on your heart.”

“Fruit of the Drunken Tree made me cry at the airport. I was impressed by the small kingdom of women Contreras builds, with violence always threatening to creep in, all seen through the eyes of Chula, the youngest daughter. Contreras made her perspective believably cloistered while masterfully writing all the people around Chula in ways that made them feel real. Also masterful was the way Contreras used Petrona’s narrative throughout and the restraint she showed in dipping into her thoughts; she always left me wanting more. What Contreras chooses not to write has as big an effect as what she does. This novel is a dynamic exploration of what is known and, sometimes willfully, what is left unknown.”