Reading Women Award 2018

“Tara Westover is barely 30; could she really write a necessary and timely memoir already? Absolutely. Raised largely 'off the grid' in rural Idaho - without school, doctor visits, a birth certificate, or even a family consensus on the date of her birth - Tara nevertheless decides she wants to go to college. This is a story in two parts: First, Tara's childhood working in a dangerous scrapyard alongside her six siblings, her survivalist father, and her mother, a conflicted but talented midwife and healer, while fearing Y2K and the influence of the secular world; then, her departure from her mountain home to receive an education. Both halves of her story are equally fascinating. Educated is a testament to Tara's brilliance and tenacity, a bittersweet rendering of how family relationships can be cruel or life-saving, and a truly great read from the first page to the last.”

“Maggie O'Farrell's memoir left me breathless and heart-sore. There were times I literally had a fist to my own heart in sympathy. The encounters told according to each limb or organ is a genius device; it is as though each distinct part of her body had its own voice and wanted my sole attention. Even the spaces of years between each event were full of meaning and nuance. This is one of the most mesmerizing memoirs I have ever read. The breadth and scope of Maggie's 17 brushes with death left me gasping for air, and her strong voice is indelible: There is no victim here, and life is to be treasured but not treated too delicately.”

“Nicole Chung’s memoir is a moving account of a young woman’s gradually evolving understanding of family and of herself as she uncovers the truth about the circumstances behind her adoption. Refusing the false dichotomy of adoption as inherently positive or negative, she reminds us that adoption is a fact and that it’s always complicated. This is an extraordinary account, told with candor and empathy. Though the transracial adoption of Asian Americans into white families and communities is common, few books have been written from the perspective of the adoptee. Chung has much to teach us, and readers approaching this book with a heart as open as hers will find much to nourish them here.”

“A Place For Us By Fatima Farheen Mirza is a truly powerful story about family relationships and how the strength of culture and religious beliefs can unite as well as tear families apart. Beautifully written from different family members’ perspectives, Mizra presents all the sides of the various stories that make up the formation of this unforgettable Indian Muslim family. Haunting and realistic. Likewise, Mariam Sharma Hits the Road by Sheba Karim wrestles with the choices the younger generation must make to reconcile the beliefs and desires of their parents with their own individual desires and personalities. Both both novels explore the growth of the individual and western choices in contrast to Muslim traditional beliefs. Both are thoughtful and provocative.”

“Set in the time of North Korea's invasion of the south, Haemi Lee, a 16-year-old girl is forced to be the pillar of support for her mother and brother. The one thing she finds happiness in is her friendship with Kyunghwan. This novel captures the essence of how seemingly simple decisions can mold the trajectory of not only our existence, but the generations after us. This novel is not only epic in scope, but relentless in its grip on your heart.”

“Fruit of the Drunken Tree made me cry at the airport. I was impressed by the small kingdom of women Contreras builds, with violence always threatening to creep in, all seen through the eyes of Chula, the youngest daughter. Contreras made her perspective believably cloistered while masterfully writing all the people around Chula in ways that made them feel real. Also masterful was the way Contreras used Petrona’s narrative throughout and the restraint she showed in dipping into her thoughts; she always left me wanting more. What Contreras chooses not to write has as big an effect as what she does. This novel is a dynamic exploration of what is known and, sometimes willfully, what is left unknown.”