Astoria Bookshop 2018 Staff Picks - Fiction

“'This is who I am.' 'This is what happened to me.' These are the simplest of expressions, yet the ability to speak them fully is a privilege not shared by the teenaged protagonists of this novel. Nigerian immigrant and Harvard-accepted aspiring doctor Niru is not able to tell his conservative religious parents that he is gay. The daughter of D.C.'s political elite, Meredith is not able to tell the world what really happened in an alley outside a bar on a hot spring night. Speak No Evil describes how loving relationships are strained, how trust is shattered, and how bodies can be broken when the truth is silenced. This heartbreakingly beautiful story will stay with you for a long time.”

“Joseph Fink is my hero for making extreme anxiety a superpower and something from which a person can draw strength. Like the Welcome to Night Vale novels, Alice Isn’t Dead evinces a gentleness throughout the story, but as with Keisha, the protagonist, don’t mistake that for weakness. This novel is a road trip into the depths of human love even in the midst of experiencing inexplicable and weird horrors. It will linger with you long after you finish reading it.”

“In 1969, four siblings visit a fortune teller, who tells each child the date of their death. We follow the Gold siblings both separately and together over the next four decades and see how these revelations affect their choices, their behavior, and their relationships with one another. Apart from raising the obvious question (would you want to know the date of your death?), Benjamin brilliantly explores how family members can be both close to and distant from one another, and ponders the point at which our actions cease to matter and fate steps in. I LOVED The Immortalists, and if there's any justice in bookselling, this book will find the massive audience it so deserves.”

“Part ghost story, part fairy tale, wholly human, Haruki Murakami’s new novel is a quiet burn of redemption and rebirth and the stories that cannot be told. An unnamed artist is asked by a faceless man to paint his portrait, a culmination of 9 months lost in art and music, loss and sex, the memories of love and empathy of men. Once you accept the impossible, you can only find yourself enthralled upon a mountain, listening for a bell, ruminating on what is left behind.”

“Fruit of the Drunken Tree made me cry at the airport. I was impressed by the small kingdom of women Contreras builds, with violence always threatening to creep in, all seen through the eyes of Chula, the youngest daughter. Contreras made her perspective believably cloistered while masterfully writing all the people around Chula in ways that made them feel real. Also masterful was the way Contreras used Petrona’s narrative throughout and the restraint she showed in dipping into her thoughts; she always left me wanting more. What Contreras chooses not to write has as big an effect as what she does. This novel is a dynamic exploration of what is known and, sometimes willfully, what is left unknown.”

“A stunning debut novel by an original voice. Twelve characters of Native American descent, interrelated by birth or chance, struggle with the competing forces of cultural history and modern urban existence. Their stories build separately before colliding powerfully in the book’s final pages at The Big Oakland Powwow. I was riveted.”

“This was an oddly addicting and hypnotizing listen. It's so character driven about female friendships and competition (bc sometimes, competition pushes us to be better). The narrator was fantastic. She hooked me in with her telling and I just wanted Kit to succeed. This is my first Megan Abbott book but I suspect it won't be my last.”

“This sweeping tale of the gods and heroes of Greek mythology as seen through the eyes of a minor goddess had me from the first chapter. I listened to this as an audiobook from our audio vendor, Libro.fm. The brilliant narrator was the 29-year-old Welsh film actress, Perdita Weeks.”

“Does Ruth Ware keep getting better and better? Yes, she does. A down-on-her-luck protagonist, a too-good-to-be-true inheritance, and a creepy old mansion combine for a deliciously suspenseful tale. The plucky heroine, Hal, believes she’s mistakenly been identified as an heir to a great estate, but she decides to play along in the hopes of scamming a couple thousand pounds out of the situation. Once she’s arrived at the reading of the will, she quickly realizes that she is in way over her head. This is a deceptive and suspense-riddled thrill ride!”

“Tayari Jones comes in fierce with An American Marriage. Delving into the lives of the newly married Roy and Celestial, this is a novel that pulls no punches from beginning to end. I won't ruin the surprise, but they're hit with a harrowing event that will define not only their relationship, but each of their lives, forever. Writing with an intensity and pace worthy of Donna Tartt, Jones yanks us into her characters' lives with a grip that never lets up. I cannot wait to put this in people's hands!”

“While looking at the cover of this book you may assume it is going be a light-hearted romance- well, you would be wrong. This book is powerful, sexy, and not to be underestimated. I loved every second of this book because it was so different from anything I have ever known. I read it in one sitting, while telling everyone that tried to talk to me to go away. I was so enthralled by both of the character's life struggles and how they were able to overcome them without each other. Their love did not conquer all- they had to learn to be better versions of themselves first before they could be there for each other. If you're looking for a hot but meaningful romance (yes, they exist!), then you've found it. ”

“The beauty, pain, and personality of Wayétu Moore’s epic trans-Atlantic story could only be expressed with magic. Moore follows her protagonists from before their births through their lives in the early days of Liberia. Combining folklore, African religions, history, and family narratives, Moore’s beautiful writing brings to life the struggles of justice, slavery, and belonging in this complex, nigh-on-miraculous novel.”

“What a breathtaking collection. These stories are so artfully crafted and imaginatively constructed that at first blush they carry the same satisfaction as the best social satire out there and all the respect that goes along with the label; this collection, however, commands that and more. It is wrenching in its acute, precise indictment of white culture and its guardians, all the while offering language that is playfully impish in its originality. Adjei-Brenyah has an innate ability to create worlds that are familiar and distant and that feel like a privilege to be able to glimpse. This is not to be missed.”

“A burglary gone awry, a near-perfect life destroyed, a mind torn. Toby is caring for his dying uncle and finding himself again. When a skull is found in the wych elm, it seems that a decades-old murder may tear apart a family and Toby himself, as he tries to piece together what happened—and what he might have done. A haunting novel portrayed by a narrator unreliable to himself.”