Poetry

“Lyrical poems that will spark a lot of emotion, and maybe even a call to action. This little book is incredibly powerful! Makes for a great listen on Libro.fm as well. ”

“Timely, heartwarming, and brimming with tough love, this little volume is just what we all need. Zura Johnson’s narration is versatile and absolutely perfect. ”

“Shivers. Catharsis. Exactly the poetry collection I needed in this moment. Empowering and kind, these are words to hold you through your fears as you claw your way to the light they've been keeping from you. These are poems that cut right to the core of it all in a beautifully narrated (and gently musical) love letter to all womanhood.”

“Maggie Smith hits the nail on the head with her stunning book of quotes and essays. This inspiring read gives you the validation to address your feelings and the permission to move forward with a new outlook. Much like a talk with a good friend, you feel heard and comforted. I devoured this treasure in one sitting and am starting a list of everyone I want to share it with.”

“I want to be someone who gets poetry, but I don’t always. I’d been meaning to try this one, though, since it’s been selling like the proverbial hot cakes — presumably also to people who aren’t really usually into poetry. When I was browsing at Green Apple Books in San Francisco, it jumped out at me, and I sat in the hipster café down the road and started reading. The poetry collection is in four parts — the hurting, the loving, the breaking, the healing — and I expected to just read one of the parts, but once I’d started I couldn’t stop. Some of these poems, often the shortest ones, which are just two or three lines long, blew me away and put words to feelings I’m always trying to write about. I’m excited to see what Rupi Kaur does next.”

“From Pulitzer Prize-winning author (House Made of Dawn in 1969), Oklahoma Centennial State Poet Laureate, and acclaimed artist N. Scott Momaday (Kiowa) comes a new collection of more than 100 new and selected poems in The Death of Sitting Bear. Presented in three parts, some poems are quick tributes to natural phenomenon but made no less impactful for their brevity. Simple moments – the sound of fry bread sizzling in childhood – are exquisitely detailed. Complex questions about the nature of animals and humans and their meanings and representations to each other are explored. God, as an entity, as a spirit, as in nature, is called upon. Other pieces are long form poetic narratives, such as Part II, A Century of Impressions, which detail an era in “one hundred haiku/elemental exercise/to nourish the mind.” The titular poem, The Death of Sitting Bear, gives voice to the great man himself in stanzas of poetic prose, detailing Sitting Bull’s life and death as an elite Kaitsenko warrior. Firmly steeped in Kiowa heritage and indigenous oral storytelling traditions, Momaday breathes in the spirit of the Southwest and breathes out masterful imagery onto the page. The poems beg to be read aloud in order to savor the taste of the language, each word carefully chosen to evoke shape, sound, sight, feeling, and history with the weight of its intention: “a blackbird holds still/in the center of sight/and I cannot/look away."”

“Raw, but not unpolished. Dripping with sadness and honey. Rage beyond anger, a lesson in history and violence. A comprehensible example of otherness in America for those who haven’t experienced it; for those who don’t know they’re perpetuating it. An honest portrayal of a life shaped by governments’ omissions, of the lies of the self and others, and of waking to the daylight, the promise held in sunshine, and in finding one’s own voice, own words, own way of telling one’s own story.”