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Learn moreIn the third Magic Men mystery, the first partially set in America, a threat of mass violence looms over Elizabeth II’s coronation. Can DI Edgar Stephens and Max Mephisto crack the case and save the crown?
Elizabeth II’s coronation is looming, but DI Edgar Stephens is busy investigating the death of a local fortune-teller. Meanwhile, his old pal, the magician Max Mephisto, is rehearsing for his television debut, a Coronation Day variety show. But upon hearing that their wartime commander, Colonel Cartwright, has been found dead in his flat, the two men join forces to find out what happened.
While Max is stuck in rehearsals, Edgar finds himself heading to New York, hot on the trail of a mesmerist he’s sure has valuable information for them—and his trusty sergeant, Emma, investigates some important leads at home. As the clock ticks down to Coronation Day, the team must scramble to keep Max’s small-screen debut from ending in a dangerously explosive finale.
ELLY GRIFFITHS is the author of the Ruth Galloway and Brighton mystery series, as well as the standalone novels The Stranger Diaries, winner of the Edgar Award for Best Novel, and The Postscript Murders. She is the recipient of the CWA Dagger in the Library Award and the Mary Higgins Clark Award. She lives in Brighton, England.
James Langton is an actor and narrator who has performed many voice-overs and narrated numerous audiobooks, including the international bestseller The Brotherhood of the Holy Shroud by Julia Navarro, Fire Storm by Andrew Lane, and An Old Betrayal by Charles Finch. He has won multiple AudioFile Earphones Awards for his work in narration. As a voice-over artist, he has worked with a host of industrial and commercial clients including Geico, Johnson&Johnson, and ask.com. He is also a professional musician who led the internationally renowned Pasadena Roof Orchestra from 1996 to 2002. Langton was born in York, England, and is now based in New York City.
Reviews
“Griffiths excels at depicting the post-WWII transition from variety shows to television. A love triangle…adds a human interest angle likely to engage both series fans and new readers.”
“Amusing, atmospheric, and thoroughly engaging, providing an insightful look at vaudeville and the art of legerdemain.”
“In the third case for the Magic Men half the fun is the journey through postwar England to the surprising denouement.”
“This third series entry…[features] evocative postwar settings and appealing characters.”
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