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Sign up todayEngineering Eden
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Learn moreThe fascinating story of the century-long attempt to control nature in the American wilderness as told through the prism of a tragic death at Yellowstone
When twenty-five-year-old Harry Walker was killed by a bear in Yellowstone Park in 1972, the civil trial prompted by his death became a proxy for bigger questions about American wilderness management that had been boiling for a century. At immediate issue was whether the Park Service should have done more to keep bears away from humans, but what was revealed as the trial unfolded was just how fruitless our efforts to regulate nature in the parks had always been.
The proceedings drew to the witness stand some of the most important figures in twentieth-century wilderness management, including the eminent zoologist A. Starker Leopold, who had produced a landmark conservationist document in the 1950s, and all-American twin researchers John and Frank Craighead, who ran groundbreaking bear studies at Yellowstone. Their testimonies would help decide whether the government owed the Walker family restitution for Harry’s death, but it would also illuminate decades of patchwork efforts to preserve an idea of nature that had never existed in the first place.
In this remarkable excavation of American environmental history, nature writer and former park ranger Jordan Fisher Smith uses the story of one man’s tragic death to tell the larger narrative of the futile, sometimes fatal, attempts to remake wilderness in the name of preserving it. Moving across time and between Yellowstone, Yosemite, and Glacier National Parks, Engineering Eden shows how efforts at wilderness management have always been undone by one fundamental problem—that the idea of what is “natural” dissolves as soon as we begin to examine it, leaving us with little framework to say what wilderness should look like and which human interventions are acceptable in trying to preserve it.
In the tradition of John McPhee’s The Control of Nature and Alan Burdick’s Out of Eden, Jordan Fisher Smith has produced a powerful work of popular science and environmental history, grappling with critical issues that we have even now yet to resolve.
Jordan Fisher Smith worked for twenty-one years as a park ranger in California, Wyoming, Idaho, and Alaska. He has since written for numerous publications including Men’s Journal and the Los Angeles Times Magazine. He is the author of Nature Noir and the narrator of the documentary Under Our Skin.
Traber Burns worked for thirty-five years in regional theater, including the New York, Oregon, and Alabama Shakespeare festivals. He also spent five years in Los Angeles appearing in many television productions and commercials, including Lost, Close to Home, Without a Trace, Boston Legal, Grey’s Anatomy, Cold Case, Gilmore Girls, and others.
Reviews
“A probing look at efforts to manage the ‘wild’ in our fading wilderness—and at the trouble resulting when our guesses are wrong.”
“An intensely reported, rousingly readable, and ambitiously envisioned book…Like the best visions for parks, it combines the human and the animal, the managed and the natural, the controlled and the wild.”
“A vivid account…Smith’s book will draw you in with his passion, thoughtfulness, and first-rate story telling.”
“Painstakingly researched.”
“A galvanizing storyteller fluent in the conflict between environmental science and politics, Smith brings every player into sharp and indelible focus as he illuminates the urgent issues national parks grapple with…Smith spotlights an overlooked watershed moment in our troubled relationship with the wild.”
“Smith has pulled off an amazing feat: he’s made wildlife management urgent and engrossing, writing about it with clarity, depth, and a storyteller’s pacing.”
“Smith, who understands that nature is ‘a web of complex relations,’ tells this complicated story clearly and well. Excellent.”
“Traber Burns’ forceful baritone works well as the author examines the the Park Service’s management of the environment through the lens of the legal proceedings…Burns’ pronunciation is always clear, and his pacing excellent.”
“Brings into sharp focus the backgrounds and personalities of the individuals involved in this multifaceted story…and skillfully interweaves their various outlooks.”
“What is ‘nature’? In a narrative delivered with elegance and vigor, Jordan Fisher Smith shows that our answers to this question have life-and-death consequences, for humans and for the ecosystems in which we live.”
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