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Start giftingIn the Name of the Father
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Learn moreA revelatory study of how Americans were bound together as a young nation by the words, the image, and the myth of George Washington and how slavery shaped American nationalism in ways that define and haunt us still.
How did people in our country—North and South, East and West—come to share a remarkably durable and consistent common vision of what it meant to be an American in the first fifty years after the Revolution? How did the nation respond to the problem of slavery in a republic? In the Name of the Father immerses us in the rich, riotous world of what François Furstenberg calls civic texts, the patriotic words and images circulating through every corner of the country in newspapers and almanacs, books and primers, paintings and even the most homely of domestic ornaments. We see how the leaders of the founding generation became "the founding fathers," how their words, especially George Washington's, became America's sacred scripture. And we see how the civic education they promoted is impossible to understand outside the context of America's increasing religiosity.
In the Name of the Father is filled with vivid stories of American print culture, including a wonderful consideration of the first great American hack biographer cum bookseller, Parson Weems, author of the first blockbuster Washington biography. But François Furstenberg's achievement is not limited to showing what all these civic texts were and how they infused Americans with a national spirit: how they created what Abraham Lincoln so famously called "the mystic chords of memory." He goes further to show how the process of defining the good citizen in America was complicated and compromised by the problem of slavery. Ultimately, we see how reconciling slavery and republican nationalism would have fateful consequences that haunt us still, in attitudes toward the socially powerless that persist in America to this day.
François Furstenberg was born in Washington, D.C., and grew up in Boston, Massachusetts, and Washington. After graduating with a BA from Columbia University, he worked for several years in Paris before pursuing his graduate studies in history at The Johns Hopkins University, where he earned his Ph.D. in 2003. He was a Mellon Postdoctoral Fellow in U.S. history at Cambridge University, England, for one year, after which he moved to Montreal, Canada, where he is an assistant professor of history at the Université de Montréal.
Michael Prichard has played several thousand characters during his career. While he has been seen performing over one hundred of them in theater and film, Michael is primarily heard, having recorded well over five hundred full-length books. During his career as a one-man repertory company, he has recorded many series with running characters-including the complete Travis McGee adventures by John D. MacDonald and the complete Nero Wolfe mysteries by Rex Stout-as well as series by such masters as Mark Twain, John Cheever, and John Updike. His numerous awards and accolades include an Audie Award for Tears in the Darkness by Michael Norman and Elizabeth M. Norman and several AudioFile Earphones Awards, including for At All Costs by Sam Moses and In Nixon's Web by L. Patrick Gray III. Named a Top Ten Golden Voice by SmartMoney magazine, he holds an M.F.A. in theater from the University of Southern California. Michael appears regularly on the professional stage, including as a member of Ray Bradbury's Pandemonium Theatre Company, performing such great roles as Captain Beatty in Fahrenheit 451, which became the second-longest-running production in the Los Angeles area. Bradbury himself dubbed Michael "the finest Beatty in history."