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“Disorientation is a book to be read slowly and with care. Ian Williams best-selling author of my staff favorite novel Reproduction (remember the amazing cover???). I also really loved his collection of poetry Word Problems from last year. Using his formidably flexible writing chops, Williams invites us to an urgent conversation on race and racism in this collection of essays that draw directly from his experience of life as a Black man. He covers all subjects from the merely annoying to the tragically deadly aspects of racism from a worldwide perspective having lived in Trinidad, Canada, and the U. S. This book is approachable for all readers and is intended to be a civil conversation about the ugliest of subjects. It's illuminating, dizzying, and intensely personal. I can't recommend it highly enough. Also, exceptional in audio: read by the author.”
— Kelly • Fountain Bookstore
A FINALIST FOR THE 2021 HILARY WESTON WRITERS' TRUST PRIZE FOR NONFICTION
Bestselling, Scotiabank Giller Award-winning writer Ian Williams brings fresh eyes and new insights to today's urgent conversation on race and racism in startling, illuminating essays that grow out of his own experience as a Black man moving through the world.
With that one eloquent word, disorientation, Ian Williams captures the impact of racial encounters on racialized people—the whiplash of race that occurs while minding one's own business. Sometimes the consequences are only irritating, but sometimes they are deadly. Spurred by the police killings and street protests of 2020, Williams realized he could offer a perspective distinct from the almost exclusively America-centric books on race topping the bestseller lists, because of one salient fact: he has lived in Trinidad (where he was never the only Black person in the room), in Canada (where he often was), and in the United States (where as a Black man from the Caribbean, he was a different kind of "only").
Inspired by the essays of James Baldwin, in which the personal becomes the gateway to larger ideas, Williams explores such things as the unmistakable moment when a child realizes they are Black; the ten characteristics of institutional whiteness; how friendship forms a bulwark against being a target of racism; the meaning and uses of a Black person's smile; and blame culture—or how do we make meaningful change when no one feels responsible for the systemic structures of the past. With these essays, Williams wants to reach a multi-racial audience of people who believe that civil conversation on even the most charged subjects is possible. Examining the past and the present in order to speak to the future, he offers new thinking, honest feeling, and his astonishing, piercing gift of language.
IAN WILLIAMS was born in Trinidad and raised in Canada. In 2019 he won the Scotiabank Giller Prize for his first novel, Reproduction, which was published in Canada, the US, and the UK, and translated into Italian. His poetry collection, Personals, was shortlisted for the Griffin Poetry Prize and the Robert Kroetsch Poetry Book Award. His short story collection, Not Anyone's Anything, won the Danuta Gleed Literary Award for the best first collection of short fiction in Canada. His first book, You Know Who You Are, was a finalist for the ReLit Poetry Prize. Williams holds a Ph.D. in English from the University of Toronto and has recently returned to that university as a tenured professor, after several years as a professor of poetry in the Creative Writing program at the University of British Columbia. His third poetry collection, Word Problems, was published by Coach House Press in the fall of 2020.
IAN WILLIAMS was born in Trinidad and raised in Canada. In 2019 he won the Scotiabank Giller Prize for his first novel, Reproduction, which was published in Canada, the US, and the UK, and translated into Italian. His poetry collection, Personals, was shortlisted for the Griffin Poetry Prize and the Robert Kroetsch Poetry Book Award. His short story collection, Not Anyone's Anything, won the Danuta Gleed Literary Award for the best first collection of short fiction in Canada. His first book, You Know Who You Are, was a finalist for the ReLit Poetry Prize. Williams holds a Ph.D. in English from the University of Toronto and has recently returned to that university as a tenured professor, after several years as a professor of poetry in the Creative Writing program at the University of British Columbia. His third poetry collection, Word Problems, was published by Coach House Press in the fall of 2020.
Reviews
FINALIST FOR THE 2021 HILARY WESTON WRITERS' TRUST PRIZE FOR NONFICTION“Disorientation is a formally inventive and searing meditation on race and Blackness. Both topical and literary, Williams’ essay collection juxtaposes personal stories about racial profiling and microaggressions alongside discussions about the murders of George Floyd and Eric Garner and readings of Black writers like Audre Lorde and James Baldwin. His writing moves, by turn, from tenderness to despair to anger, yet remains clear-eyed and intellectually rigorous throughout. In an age of hot takes and condemnation, Williams’ essays reflect, explore, and illuminate.” —Jury, Hilary Weston Writers' Trust Prize for Nonfiction
“A lyrical, closely observed contribution to the literature of race and social justice.” —Kirkus Reviews
“Whether it’s novels or poetry or, now, his new book of essays, [Ian Williams] reaches out by sharing his art and his world, opening up conversations.” —Toronto Star
“[Ian Williams’] reflections—spanning life in Trinidad, Canada and the United States—deserve to be read widely.” —Chatelaine
“[A] book that invites its reader into Williams’ thoughts on race, Blackness and place through accessible essays and personal accounts. . . . It’s an invitation well worth taking.” —The Ubyssey
“The poet, professor, and Giller-winning novelist turns his substantial creative skill to the topic of anti-Black racism. . . . Williams extrapolates universal insight into the experience of living under white supremacy.” —Quill & Quire
“Disorientation is so honest, vulnerable, courageous and funny that it left me dying to sit down over a long coffee with Ian Williams. Make that two lattes, and I’m buying!”—Lawrence Hill, author of The Book of Negroes
“In this pithy, kaleidoscopic book, Williams interrogates moments when Black people have their personal identities challenged by the powerful misperceptions of others. Williams turns these scenes of intimate and public disorientation into subtle, radical essays on self-realization." —Walton Muyumba, The Boston Globe Expand reviews