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Start giftingThe Book of Form and Emptiness
Bookseller recommendation
“What I love most about Ruth Ozeki's writing is that it's different every time. You get some of the same vibe but her storylines are vast and unpredictable and you never know what you are getting into, but it will be good and 100% worth your time! The Book of Form and Emptiness started off bizarre but sucked me in so fast and then made me slow down to absorb every single word. It was almost meta with one of its main voices, a Book, and hit hard with its deep dive into mental illness. Parts of this book skewed a little Murakami in tone but coming from someone who doesn't always love Murakami, there is something so human and relatable in Ozeki's writing that separates her a little. Benny lives alone with his mother Annabelle after losing his father in a terrible accident a few years previous. Plagued by the voices of inanimate objects around him, Benny struggle with his mental health throughout the novel. In part narrated by one of his voices, an omnipresent Book, whom Benny first encounters at an abandoned Bindery at his local library. The Book tells us the story of Benny and Annabelle through a third party lens. We encounter a fun cast of characters from Benny's adventures who all band together to help this family get through a tough time. Truly a magical reading experience that is full of heart, Ozeki's newest work is a must read for fans of literary fiction.”
Kimi,
Buttonwood Books and Toys
Bookseller recommendation
“Im still rereading sentences pondering and listening to the voices. I've never even remotely read anything like this before....Hats off to Ruth Ozeki!”
Jayne,
Mystery to Me
Bookseller recommendation
“Ruth Ozeki is back with a beautiful portrayal of the life of young teen Benny who is in the throes of grief at the loss of his beloved father. It has been a year since that loss but now Benny is living with his mother who has begun to hoard things, and he is starting to hear them speak to him. The voices are sometimes little more than a feeling – contentment, softness, or anger and frustration. When those voices follow him into the world outside, he really begins to worry. He flees to a place of safety – the library – where things are quieter. Then he begins to meet interesting people and learns how to find his own path in life and move forward. You’ll love the unknown narrator – Book – and the telling of this tale. The Book of Form and Emptiness is sparkling with Love and Truth – two things we all really need right now. And in the hands of such a consummate writer, they are powerfully rendered. Enjoy!”
Linda,
Auntie's Bookstore
Bookseller recommendation
“Completely original, this is the story of Benny and Annabelle, son and mother, dealing with tragic loss in their own unique ways. The narrator is The Book, and objects in Benny's life are given voices to tell their own stories. The novel takes an innovative and magical realist look at hoarding, depression, mental illness, homelessness, climate change, and the interconnections of all things.”
Keith,
Politics & Prose
Winner of the Women’s Prize for Fiction
“No one writes like Ruth Ozeki—a triumph.” —Matt Haig, New York Times bestselling author of The Midnight Library
“Inventive, vivid, and propelled by a sense of wonder.” —TIME
“If you’ve lost your way with fiction over the last year or two, let The Book of Form and Emptiness light your way home.” —David Mitchell, Booker Prize-finalist author of Cloud Atlas
A boy who hears the voices of objects all around him; a mother drowning in her possessions; and a Book that might hold the secret to saving them both—the brilliantly inventive new novel from the Booker Prize-finalist Ruth Ozeki
One year after the death of his beloved musician father, thirteen-year-old Benny Oh begins to hear voices. The voices belong to the things in his house—a sneaker, a broken Christmas ornament, a piece of wilted lettuce. Although Benny doesn't understand what these things are saying, he can sense their emotional tone; some are pleasant, a gentle hum or coo, but others are snide, angry and full of pain. When his mother, Annabelle, develops a hoarding problem, the voices grow more clamorous.
At first, Benny tries to ignore them, but soon the voices follow him outside the house, onto the street and at school, driving him at last to seek refuge in the silence of a large public library, where objects are well-behaved and know to speak in whispers. There, Benny discovers a strange new world. He falls in love with a mesmerizing street artist with a smug pet ferret, who uses the library as her performance space. He meets a homeless philosopher-poet, who encourages him to ask important questions and find his own voice amongst the many.
And he meets his very own Book—a talking thing—who narrates Benny’s life and teaches him to listen to the things that truly matter.
With its blend of sympathetic characters, riveting plot, and vibrant engagement with everything from jazz, to climate change, to our attachment to material possessions, The Book of Form and Emptiness is classic Ruth Ozeki—bold, wise, poignant, playful, humane and heartbreaking.
Ruth Ozeki is a novelist, filmmaker, and Zen Buddhist priest. She is the best-selling author of four novels: The Book of Form and Emptiness, winner of the UK’s 2022 Women’s Prize for Fiction; My Year of Meats; All Over Creation; and A Tale for the Time Being, which won the LA Times Book Prize and was a finalist for the 2013 Booker Prize and the National Book Critics' Circle Award. Her nonfiction work includes a memoir, The Face: A Time Code, and the documentary film, Halving the Bones. A longtime Buddhist practitioner, Ruth is affiliated with the Brooklyn Zen Center and the Everyday Zen Foundation. She is the Grace Jarcho Ross 1933 Professor of Humanities at Smith College.
Ruth Ozeki is a novelist, filmmaker, and Zen Buddhist priest. She is the best-selling author of four novels: The Book of Form and Emptiness, winner of the UK’s 2022 Women’s Prize for Fiction; My Year of Meats; All Over Creation; and A Tale for the Time Being, which won the LA Times Book Prize and was a finalist for the 2013 Booker Prize and the National Book Critics' Circle Award. Her nonfiction work includes a memoir, The Face: A Time Code, and the documentary film, Halving the Bones. A longtime Buddhist practitioner, Ruth is affiliated with the Brooklyn Zen Center and the Everyday Zen Foundation. She is the Grace Jarcho Ross 1933 Professor of Humanities at Smith College.